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 Seeing
God: A Visual Exploration of the Spiritual
October 23 - December 15, 2006.
 The Washington
Printmakers Gallery (WPG) and the Dadian Gallery of the Henry Luce III
Center for the Arts and Religion at Wesley Theological Seminary announce
Seeing God, a nationally juried exhibition of fine prints. We have
invited printmakers to consider what it means to them to see God, whether in
their studios, in the natural world, on the street, or in any other place. The
exhibition explores how contemporary artists of varying religious backgrounds
envision the sacred in their work, or encounter the holy through their work.
 Concurrently in the Gordon and Helen Smith Board Room,
Seeing
the Jurors features the artists who acted as jurors for the Seeing
God exhibition. This show offers a kind of double vision, an opportunity for
viewers to reflect on the ways that the artistic practice of the jurors informs
their selections of works by other artists. Seeing the Jurors includes
works by Pauline Jakobsberg,
Trudi Ludwig,
Margaret Adams Parker,
Kirk Waldroff
and Ellen Winkler, members of the Washington Printmakers Gallery; and
Deborah
Sokolove, curator of the Dadian Gallery.
 Kjellgren
Alkire, Git Saved Tonite,
2006, linocut and screenprint;
Well Behaved Churches,
2006, linocut
 Rica
Bando, Frolic,
2006, lithograph
Boudreaux Yvonne,
Heavy,
2005, etching
 Sandra
Bowden, Illumination XV,
mixed media,
Jeff Dentz,
Out of Which I Came,
2006, woodcut
 Tallmadge
Doyle, Prayer for Water,
2005, etching, aquatint, hand colored;
Soul and Sky,
2005, etching, aquatint, hand colored
 Donald
Forsythe, Companion,
1981-2004, intaglio monotype/serigraph
collage
Donald Furst,
Faith Helix,
2005, mezzotint;
Into the Light,
2004, mezzotint
 Heidi
Goldberg, Cairn,
2004, intaglio
Brenton Good,
Gathering,
2005, monotype on panel
 Amber
Hansen, Rebirth,
2006, monoprint
Thomas Hardin,
Via Crucis: I – Jesus is Condemned to
Death, 2006, intaglio on linen with
embroide
 Mary
Hood, Into Black 11.7,
2004-5, intaglio mounted on wood;
Into Black 11.14,
2004-5, intaglio;
Into Black 11.9,
2004-5, intaglio;Into
Black 11.13, 2004-5,
intaglio
 Teresa
James, Beautiful Once,
2005, two- color etching with aquatint;
St. Gemma Galgani,
2005, two- color etching with
aquatint
 Lauren
Kussro, A Handful of Tranquility
(Chandelier piece), 2006, handmade
paper, woodblock print
Harold Lohner,
Adam #2,
2006, monoprint, collagraph & chine collé;
Adam #5,
2006, monoprint, collagraph & chine
collé
 Taryn
McMahon, Follicle,
2005, etching and chine collé on handmade paper
Kore Wildrekinde
McWhirter, Carionne Crone,
line etching
 Natalia
Moroz, Distortion of Time,
2005, linocut
William Morris,
Mark of Cain,
2005, hand cut wood block print, black oil
ink
 Westen
Muntain, Grace,
2004, intaglio print;
Precious Inside,
2004, intaglio print
Alyssa Olivier,
Next Morning,
2004, limited first edition lithograph
 Susan
Due Pearcy, Ginkgo Leaf 2,
2005, monotype (trace print
Marilyn Ramsdale,
Sacrifice,
2005, linoleum block
 Mark
Ritchie, Vessel: Red Boat,
2004,folded monotype
Rae Stimson,
Amma’s love has awakened me; I shall now
be cradled in Saraswatyai’s arms for eternity,
2006, etching/aquatint
 David
Thomas, In the Garden ,
2005, monoprint
HelgaThomson,
Milagros in the Wind,
2004, monoprint
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