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  Academic Year 2004-2005

• 1997-1998 • 1998-1999 • 1999-2000 • 2000-2001 • 2001-2002 • 2002-2003 • 2003-2004 • 2004-2005 • 2005-2006 •

• Upcoming Exhibitions • Current Exhibitions • Previous Exhibitions •

Installation view, entry to "Memory and Story"June 13 – July 29, 2005

memory and Story

Ellouise Schoettler
and
Helen Zughaib

In Memory and Story, two artists explore the ways in which family stories are reflected and refracted in the memory. This process of remembering and retelling produces a new reality which begins with the experiences of the parents, but is shaped through the children’s understanding and vision.(more)

Jan Richardson, "After the Cross"April 11 - May 27, 2005
Jan Richardson
Pages from Prayer Books

In “The Advent Hours” and “The Hours of Mary Magdalene,” Richardson explores the medieval idea of the Book of Hours, in which the appointed prayers for certain times of day were often accompanied by richly-painted illuminations. As in such books, prayers such as “Lord, open my lips and my mouth will declare your praise” or “O God, come to my assistance; Lord make haste” are inscribed in Latin below images that retell the ancient stories. (more)
 

March 14 - April 4, 2005
In the Dadian Gallery:
The American Print Alliance

September 11 Memorial Portfolio


WTC
Raymond St-Arnaud © 2002


Efflorescence
Deborah Cornell © 2002


Angel
Stephanie Hunder © 2002


Ode to Sept. 11, 2002
Cecily Barth Firestein © 2002


911
Adele Henderson © 2002


(Untitled for Memorial Portfolio)
Bobbie Mandel © 2002


Evilive
Hugh Merrill © 2002


(Untitled for Memorial Portfolio)
Paul Santorleri © 2002


The Hand of Terror is not
the Hand of God

Irene Furlan © 2002

 

and in the Board Room:
Constance Pierce, "The Dispossessed," graphite drawing from Lamentations of War
Constance Pierce
Bearing Witness:
Lamentations of War
and other Works on Paper


 

XPSY/Gold: entry to exhibitionJanuary 18 - March 4, 2005
In the Dadian Gallery:


sculptural mixed-media paintings

The series XPYSO (GOLD) is an ongoing body of work. As an artist that works in series, these pieces evolved from a previous body of works titled Heavens and Staring at Heaven. In these "cosmic" works the application of gold on canvas and panel were investigated. The theme of these works concerned blindness, light, and sight. (more)

In the Smith Board Room

In January, 2004, members of the Doctor of Ministry track in Arts and Theology participated in a course entitled "The Hebrew Bible and the Arts." The final project for this course was to create a work of art in conversation with a scriptural text. Some of those artworks were displayed in the Boardroom from January 5 through March 4, 2005. (more)
 

November 1 - December 17, 2004

The Square Halo:
Constructions and Collages by John Sager

A square is a human form, one that does not occur in nature. A square halo depicts a saintly personage who was still living at the time of the artwork. A circle is perfect; so is Heaven. Earth is imperfect; so is the square. The “Square Halo” reflects that my assemblages and collages are square or rectangular in shape. I believe that true art glows like a halo and outlives the artist. (more)

In the Smith Board Room

Oishi, "Jesus and the Twelve Disciples" and Birge, "Butterfly"November 1 - December 17, 2004
In the SMITH Board Room:

Artists-in-Residence 2004-2005:
Patrick Michael Birge, Marie Pavlicek-Wehrli, Yoshiko Oishi (Meiran)


 

Pauline Jakobsberg, "Children of the Kindertransport", 1998, non-acid intaglioSeptember 27 - October 22, 2004

Pauline Jakobsberg
A Story to be Told

The hand pulled print has been my medium of expression for 26 years. My art draws upon the history of two families, mine and my husband’s, bound by common threads of tenderness, caring and humanity, in the midst of chaos and hope. My recycled handmade papers, inks and methods suit my goal in an effort to recreate the complexity of the past. (more)
 

August 30 - September 17, 2004
The John Wesley Baltimore Album Quilt

The John Wesley Baltimore Album Quilt was recently found by Judy Shapiro, Wesley Theological Seminary Quilter-in-Residence 2002. Forgotten in a store-room for many years, this 1850-made, beautifully appliquéd quilt, was made by numerous church members of the "Old South Baltimore Church." This quilt is an important recent discovery to the world of textiles, the history of the Methodist Church, and women's history. Replete with liturgical symbolism, this quilt is the only known textile with a penned rendering of John Wesley. This showing will be the last public showing for many years.
 

• Upcoming Exhibitions • Current Exhibitions • Previous Exhibitions •

send comments or questions about the gallery to the curator at:
dsokolove@wesleysem.edu

the copyright of all images belongs to the relevant artist
please do not copy or distribute