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Abiding Presence
   Abiding Presence, external view of Dadian Gallery

Abiding Presence
is a collaborative work designed by Catherine Kapikian
and executed by members of the Church of the Abiding Presence in Beltsville, MD,

November 17 - January 23, 1997
 

  

Artist's Statement

Some time ago, I read that “Christian witness is a manifestation of God’s creative activity through the expenditure of a human life.”  This struck a chord in me.  I found meaning creating works for communities of faith from a faith point of view.  This ongoing consent has become a way of life for me, and often I can’t tell the difference between my life and my art.

Completed Exodus kneelerAll worship spaces are unique and none are complete until the assembly gathers.  My interest is in this moment.  When the prayers are uttered, the songs song, and the Word heard, the visual accoutrements in the space, in concert with the space itself, serve to place all things together in a dynamic equilibrium.
In my site specific works, I begin by listening closely to the community’s concerns and wishes.  Then, I give careful attention to each space’s relationship of parts, its sight lines, value contrasts, textural qualities of surfaces, and its colors, hues and intensities.  I create relationships of light and dark, mass and void; invent movements of shapes and patterns; and apply color.  And, finally, I hope that the resulting configurations of images will bring more acutely into focus the ritual moment.  The more complete the visual unity in a space, the more holy the space becomes.  I endeavor to achieve such space.  And such space awaits community.

This way of working allows the exploration of questions which fascinate me, such as: What does art have to do with religious experience?  What does art have to do with the quest for the Holy?  How is art related to the questions of life’s ultimate meaning?

Curator's Statement

Installation view of unfinished Advent, Christmas, Crucifixion and Resurrection kneelers One of the primary missions of the Dadian Gallery is to contribute to the educational enterprise of Wesley Theological Seminary. The opportunity to exhibit this work-in-progress, the needlepoint project of the Church of the Abiding Presence, fulfills this mission in two ways. First, because the work is not yet completed, we have a rare opportunity to see all the stages of a large, complex project that will one day enhance the regular worship life of a faith community. From initial conception, through the various planning stages, and now as the patient needlework progresses, these altar rail kneelers have already helped to build community, as individual members give their time, energy, and love to serve the entire church body.

Installation view of completed Flood and Exodus kneelers

Second, the designer for the project was Catherine Kapikian, whose art graces a number of congregations throughout the country, and whose teaching has inspired countless students to discover new ways of seeing. Because Professor Kapikian’s work is generally site-specific, and so beloved by the congregations who have commissioned it, once it is completed it often cannot leave the place for which it was made. This is her first exhibition in a gallery, and it is fitting that it should be a collaborative work, in which the process is as evident as the product.

It is with great pleasure that I present Abiding Presence: A Collaborative Work Designed by Catherine Kapikian, so that we may all learn something of how an artist and a congregation can together create an image of God’s grace.

 

send comments or questions about the gallery to the curator at:
dsokolove@wesleysem.edu 

The artists who created the works of art shown here own the copyrights to them.
please do not copy or distribute

send comments or questions about the gallery to the curator at:
dsokolove@wesleyseminary.edu